So the trick would be to run Logic with MTC (from QLab) and send multi channels of audio out through separate hardware. "now can we try that again with a quiet start this time" (in Logic it would indeed just take seconds to change on an interleaved surround file. Sadly my brief experience is that a director wants to try a music cue and whilst doing the technical run through "hear" for example the volume changing at the end of that cue. it sounds as if from your experience QLab isn't something that one might attempt to change volumes in whilst programming a show? indeed if anyone's got generally helpful thoughts about producing surround tracks with Logic for Q Lab, it would really be appreciated for the future. or does a command have to be programmed into each file individually? If that is the case is there a way to "group" say 5 audio channels and manipulate the over all volume with one control. Is it indeed the case that QLab won't handle interleaved surround audio files produced by Logic?Ģ. My questions if any clever person has experience with QLab are:ġ. it took as long to change as changing direction on the Titanic. every time the director wanted to simply hear a track lower or higher was a nightmare. The whole thing became a nightmare when the sound guy admitted he hadn't worked with Qlab before and every time we wanted to do a fade or change an audio level in my music track, we had to program in a change manually 5 times in order to control all 5 audio channels in QLab. I bounced my score out of Logic 9 as discreet 5.1 surround spilt audio files - and threw away the central audio file (told by the techies that Qlab won't handle interleaved files.) (Gosh the theatre still seems so quaint here!) then the lights controller was given "start now" type verbal commands. I'm told newer version 3 is still buggy) which locked the sound and video. The main stay of the production was QLab version 2 (. We locked video with lights and my surround score. kind of 5.1 with out the centre) The production was a small theatre play in London's West End. I've just been through a baptism of fire working on a live show that I produced a quasi 4.1 music track for.
I hope this isn't a question too much off piste.
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